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The Signalman is a triumph of spooky storytelling

Andrew Harrison has an eerie night out

by Teesdale Mercury
November 6, 2025
in Art & Leisure
The Signalman is a triumph of spooky storytelling

Set in 1880 on a desolate stretch of railway line, The Signalman, adapted from Charles Dickens’ classic ghost story, offers a compelling and atmospheric evening of theatre.

This production took me into a world of isolation, psychological unease, and supernatural dread with remarkable precision.

The set design is particularly striking. On one side, the raised, cutaway interior of the signal box reveals the confined, solitary life of the Signalman.

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Opposite, the shadowy entrance to the railway tunnel looms ominously, evoking a sense of danger and the unknown.

This visual contrast cleverly mirrors the play’s central tension between reality and the spectral.

Chris Walker delivers a powerful performance as the Signalman, capturing the character’s quiet torment and growing paranoia with subtlety and emotional depth. His every glance toward the tunnel builds suspense, drawing the audience into his haunted world.

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John Burton, as the Traveller, provides a calm and grounding presence, acting as both confidant and observer. Their exchanges are natural and compelling, anchoring the ghostly narrative in human emotion.

Brief moments of humour break the tension, offering the audience a welcome breath before the suspense builds again. These lighter touches are well-placed and never detract from the story’s eerie tone.

The supporting cast, though appearing briefly, makes a strong impression. Bruce Chattan brings warmth and authenticity as the Innkeeper, while James Morley (Inspector) and Adam Mort (Tom) add urgency and emotional weight in the play’s final scenes.

Their contributions help flesh out the world beyond the signal box, adding realism and resonance to the story.

Lighting and sound design are used to great effect. The echo of unseen trains and the subtle use of mist and shadow around the tunnel create an immersive soundscape that heightens the tension throughout. The tunnel itself becomes a silent, menacing presence – almost a character in its own right.

This production of The Signalman is a triumph of mood. It captures the eerie essence of Dickens’ tale while offering a visually and emotionally rich theatrical experience. A must-see for fans of gothic drama and psychological thrillers.

The Signalman runs until Saturday November 8 at Darlington Hippodrome

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